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Old 04-25-2013, 06:44 AM
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Default Ayn Rand - Atlas Shrugged - iTunes AudioBook



Ayn Rand - Atlas Shrugged - iTunes AudioBook

An earlier reviewer struck an important vein when mentioning that academia and media have left this novel largely untouched, while it has continued to be read via word-of-mouth recommendations. Why? Rand is provocative; the novel engenders both deep respect and vitriolic opposition. Why?
To begin with, this is not an ordinarily structured novel; it is an overt statement of a philosophy. The plot, like many of those employed by Shakespeare, is not wholly original. (See an older book entitled "Secret of the League"). In any event, Rand uses the complex plot allegorically as a vehicle for describing her own unique philosophy and its consequences. Rand's philosophy, and it is clear enough upon reading, is a synthesis of Aristotelianism with more modern "humanistic" concerns, in the greatest and original sense of the term. Rand ties Aristotle's basic conceptions of logic to the workings of egoism and capitalism. She rejects Nietzschean irrationalism, Kantian ethics, and the kind of Pragmatism championed by Dewey. Her suggested replacement for these constructs is a body of thought which recognizes and responds to human needs and values, economic conditions, political necessities, and logical imperatives, even if incompletely at times. Oddly, her critics continue to tout her as little more than a "pop-philosopher". On to her book.

Atlas Shrugged is a fountainhead of skilled dialogue and monologue. Francisco's speech on "money" is insightful, and honest. Some prosaic passages, like Galt's enormous speech near the novel's end, could have used some editing. Nonetheless, such passages are meant to (and succeed in) conveying a rather thorough philosophy. Also adept at employing dialogue, Rand leaves cutting snippets and short verbal gems throughout the book. She distinguishes perceptively between 'what people commonly say' and 'what those words often covertly are intended to mean.' This making-bare is done through the frankness of her protagonists, some of which mere foils to reveal more probing insights. Those who would call her characters "shallow" may be correct if judging by contemporary literary standards which praise personal texture and ambiguity. Rand seems more interested in the kind of moral tale woven by the great Greek dramatists, in which characters are primarily vehicles of ideas.


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Language: English
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