John le Carre's - The Complete Smiley Novels - Themers Club : Computers , Mobiles and Web Development Themes

henry15112010 · #1 07-12-2014, 02:51 PM

1961 - Call For The Dead (Unabridged) Read by Michael Jayston
1962 - A Murder of Quality (Unabridged) Read by Ralph Cosham
1963 - The Spy Who Came In From The Cold (Unabridged) Read by Michael Jayston
1965 - The Looking Glass War (Unabridged) Read by Frank Muller
1974 - Tinker, Tailor, Soldier, Spy (Unabridged) Read by Michael Jayston
1977 - The Honourable Schoolboy (Unabridged) Read by Michael Jayston
1979 - Smiley's People (Unabridged) Read by Michael Jayston
1990 - The Secret Pilgrim (Unabridged) Read by Michael Jayston

Le Carré introduced Smiley at about the same time as Len Deighton's unnamed anti-hero (Harry Palmer in the film versions). This was a time when critics and the public were welcoming more realistic versions of espionage fiction, in contrast to the glamorous world ofIan Fleming's James Bond.

Smiley is sometimes considered the anti-Bond in the sense that Bond is an unrealistic figure and is more a portrayal of a male fantasy than a realistic government agent. George Smiley, on the other hand, is quiet, mild-mannered and not at all athletic. He lives by his wits and, unlike Bond, is a master of quiet, disciplined intelligence work, rather than gunplay. In The Honourable Schoolboy it becomes clear that he is not as adept at bureaucratic maneuvering as the duplicitous Sam Collins and Saul Enderby, who are able to use even a great success to force him into retirement. Also unlike Bond he is not a bed-hopper; in fact it is Smiley's wife Ann who is notorious for her affairs.

When Tinker Tailor Soldier Spy was published, the reviewer of The Spectator described Smiley as a "brilliant spy and totally inadequate man." However, Smiley has his pride, and in the end, in Smiley's People, he refuses to take the beautiful Ann back, despite her pleadings.

Smiley is depicted as an exceptionally skilled spymaster, gifted with a prodigious memory and a talent for getting people to talk. His subtle interrogation methods, derived from psychology and experience, he imparts to his understudies, such as Jerry Westerby and Peter Guillam. These are depicted as far superior to the heavy-handed tactics of the Americans, who are called "the Cousins" in Circus jargon, and whose entry into a mission always ensures that things will get a lot rougher.

A student of espionage with a profound insight into human weakness and fallibility, highly sagacious and incredibly perceptive, he is very conscious of the immoral, grisly and unethical aspects of his profession. At the same time he works to inculcate loyalty and discipline into his pupils, and a sense of moral obligation to the espionage service, and to the country. Smiley has no patience with the political niceties of Whitehall and their distaste for classical espionage tactics, including bribery, blackmail, and turning enemy agents into British double agents. On the other hand, he is not one of the "hawks" who are given to the sharp, militaristic attitudes of "the Cousins" (clearly depicted during the climax of The Honourable Schoolboy).

Despite his series of retirements, Smiley's own unflinching loyalty to and support for his people inculcates loyalty in them. Thus, whether in or out of the Service he is able to maintain an extensive range of aides and support-staff, extending even to "retired" police officers, former and present Service members.

Le Carré describes him as a somewhat short and fat man, who always wears expensive but badly fitting clothes (he "dressed like a bookie"). He has a habit of cleaning his glasses on the "fat end" of his necktie.

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