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Old 03-18-2013, 03:24 PM
emil2992 emil2992 is offline
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Default Gramophone magazine January and March 2013



Gramophone magazine January and March 2013

The January 2013 issue celebrates the waltz, one of music's most famous dance forms, from its 19th-century heyday to its role in contemporary culture.

Also in this issue, Sir Adrian Boult's championing of new British music by Geraint Lewis, Michael McManus remembers Polish composer Witold Lutoslawski, Christopher Purves describes the challenge of recording Handel's bass arias in Musician's Diary, tenor Rolando Villazón tapes Verdi arias and songs under Gianandrea Noseda in our Session Report, violinist James Ehnes delves into Bartók's Solo Sonata with Rob Cowan in The Musician and the Score, and the GRAMOPHONE editorial team choose their musical highlights of 2012.

The March 2013 issue celebrates the 100th anniversary of Stravinsky's groundbreaking The Rite of Spring. Geoffrey Norris looks at what really happened on the night of the most famous premiere in musical history, Philip Clark traces how composers have since embraced The Rite's musical innovations, and Sir Simon Rattle and Esa-Pekka Salonen discuss conducting the work.

Also in this issue, David Vickers talks to John Butt about the Dunedin Consort's new Linn recording of Bach's St John Passion, which aims to reconstruct the complete Good Friday vesper service as it might have been celebrated during Bach's tenure as Thomaskantor. Plus pianist Imogen Cooper reflects on a busy few months of sessions in the recording studio and duetting live with Paul Lewis in the Musician's Diary; the Philharmonia record a Holst Planets for the digital age in our Session Report; and Lindsay Kemp talks to Richard Egarr about Bach's English Suites in The Musician and the Score.


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Language: English
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